Chicago Venues – the foundation of the city’s art scene

A venue can make or break an event – a concert/ art exhibition can be tainted by something as simple as an uncomfortably laid-out room or an apathetic employee.

Chicago is known for its vibrant music and art scene – the city sets the standard for the Midwest. Chicago’s surplus of inclusive and intimate venues accentuates the art, creating high-quality spaces that work alongside high-quality art.

I have compiled a map of some of Chicago’s venues, featuring three of my personal favorites.

Empty Bottle

In a unsettling age where dive-bar vintage energy is romanticized (see Edison Bulbs), the Empty Bottle in the Ukrainian Village could seem contrived – stickers covering every surface of the wall, a general musty smell, an overwhelming presence of angry-looking trendy young men. But that assumption exists without an understanding of the venue’s history and context.

The Empty Bottle is the real deal.

Opened in 1992, the venue is a Chicago staple in alternative music and art. There’s a deep history in the Empty Bottle. The venue has seen bands like LCD Soundsystem, Vampire Weekend and Wilco before they went on to sell out arenas.

Today, the Empty Bottle remains a quintessential part in Chicago’s arts scene. “It always serves as a very welcoming space for people to come together and hear different bands, especially local bands,” Sophie Kendrick, student, said. And the Empty Bottle isn’t exclusive to concerts. “They also host a lot of daytime events and markets showcasing and supporting young local artists which is great,” she said.

The Hideout

“Every show that I’ve seen there isn’t afraid of pushing boundaries and expectations of what a comedy show or a concert looks like,” Jerwin Santiago, Hideout performer and frequent audience member, said, “It’s cool to see people doing such cutting-edge stuff, and not in a way that’s like ‘I’m alt, I’m random, isn’t this weird,’ but taking risks.”

The Hideout, located between Lincoln Park and Bucktown, is notable for its intimacy and show diversity, cultivating an experience that makes the Hideout ultimately unique. Its earnestness makes the audience feel like everyone attending a part of some big secret.

Also a Chicago staple, the Hideout is located in a 100-year old balloon frame house. It’s home to shows of all sorts – poetry readings, dance parties, concerts and comedy shows. There’s something for everyone.

“It gives me big ‘we’re in some Midwestern basement to tell our secrets and do silly things’ vibes and that’s just so refreshing in a scene that ends up getting saturated with a lot of Corporate Fluff and Pander-y Stuff,” Santiago said.

The Hideout’s intimate stage Photo by: Kelly Loris/flickr

The venue is currently in danger of Chicago’s Lincoln Yards development project, and the owner of the venue has also been an active opponent.

Co-Prosperity Sphere

Art is sometimes the best vehicle to use when forming community. It brings us together in ways that transcend contexts.

Co-Prosperity Sphere in an experimental cultural center located in Bridgeport. The venue functions as both a gallery and a performing arts venue, with a stage and space for art exhibitions

Engaging hand-in-hand with the Bridgeport community, Co-Prosperity Sphere works outside traditional standards of institutional art, providing a space for a diverse array of artists and art.

Going to the Co-Prosperity sphere is a breath of fresh air – an inclusive and enjoyable experience where you, as an audience member, feel included.

“Hasty Happenings” exposes the art in hurried moments

Institutional art typically requires a set of standards – a specific sort of effort or background to deem it notable. To some, these guidelines give the craft a level of principle, an “only-the-best-make-it” type of mentality.

But you don’t realize how refreshing it is to dispose of this standard until you walk into an exhibition and watch a video of someone roughly singing “I Dreamed a Dream” on Photo Booth whilst taking shots and doing poppers.

Hasty Happenings,” an exhibition of art outside of traditional merits of art presentation, showed at the Co-Prosperity Sphere in Bridgeport this past Thursday, April 19. The exhibit was conceived by Adrien Guadagnino, with the help of Alex Chitty, the head of Co-Prosperity Sphere’s artist-led programming council. For one night only, the exhibition featured art made quickly, with little thought about presentation.

The exhibit was open to the public and featured performance, visual and sensory art. Artists dropped off their pieces the night before, and there was a sign up slot day-of for performances.

“Each piece in the exhibition is a snapshot of the momentary mental and emotional state assumed at the time of creation” the event’s web page said, “tapping into the pleasure of completion and reverential observance of the tossed off.”

The hurried nature of the pieces was evident, adding an endearing quality without sacrificing impact– custom personal scents from someone who worked at a luxury perfume store, a salt lamp inside an animal cracker container, disconcerting pictures of an artist’s ex-boyfriends, and quickly choreographed ballets by an SAIC class. The pieces weren’t thoughtless, they were just working outside of convention.

Attendees of "Hasty Happenings" event seated around a stage watching musical acts.
Attendees of “Hasty Happenings” watching musical performances. Photo by: Lucy Grundhauser

For Issy Bottger, the performing arts aspect gave way to a charming and comical dance, where she removed articles of clothing with expressive choreography. The three-minute piece had the appearance of being improvisational but felt piercingly personal.

“It’s private performance that comes in my mind in the moment,” Botter said on the creation of the piece, “I’ve been really sick and really sad lately and the choreography felt like silly acts of violence.”

“Hasty Happenings” was the perfect medium, providing an outlet where typical standards for preparation were thrown out the window.

“This is the best place for art in the moment,” she said, “This piece couldn’t really be anywhere else.”

Two people in face paint performing an original ballet.
SAIC students performing an original ballet prepared in less than a day. Photo by: Lucy Grundhauser

The exhibition was honest and felt like a better representation of day-to-day and the way human narrative functions. It gently proposed the potential beauty in letting go of specific expectations, making room for art in the everyday.